"I wish I could go back."

When it's not safe to go home

Omid Master in his storeroom, surrounded by rolled up Persian carpets stored vertically, against a white brick wall.

Omid Master worked in his father’s Persian carpet store on weekends when he was at school.

He remembers the thrill of people piling into the store during sale time.

Vibrant coloured Persian carpets rolled and stored vertically on a shelf. Side profile shot of Omid Master readjusting a red and blue coloured carpet.

Omid now has a shop of his own – Master’s Persian Carpets.

"I thought I'd always end up doing this."

A traditional Persian samovar used to boil water for tea has pride of place at the rear of Omid's shop.

The tea is a deep reddish-brown colour, flavoured with cardamom, rose petals and crystallised saffron sugar.

Persian carpet, with decorative ottoman, plus a gold tray with a glass of Persian tea and a glass jar with crystallised saffron sugar.
Persian carpet and decorative ottoman in background. Forefront is a gold tray with a glass of Persian tea and a glass jar with crystallised saffron sugar.
Omid Master's right hand unfolding a rolled up carpet, nestled around other rolled up Persian carpets. The image is black and white.
Omid Master's right hand unfolding a rolled up carpet, nestled around other rolled up Persian carpets. The image is in colour - vibrant red, navy and pink..

There are three elements of a Persian carpet.

One, the carpet must be hand woven.

Two, the weaver must use a Persian knot (an asymmetrical knot that lends itself well to patterns with intricate detail).

And three, it must be made in Iran.

But, Omid has run his Melbourne-based carpet business for over 20 years without ever setting foot into Iran.

A person repairing a Persian carpet - vibrant reds, pinks and blues.

Omid was born in Shiraz, located in south-central Iran.

Shiraz is known as the city of poets, literature, flowers and gardens.

A close up photograph of a vibrant red/pink geometric Persian carpet.

Omid was last in Iran when he was 10 years old. He has fond memories of his grandfather’s farm. He remembers the unique fragrance of rice soaked in yoghurt overnight. And of onions, walnuts and pomegranate syrup. He remembers the smell of kerosene lamps. And, of buying Persian turquoise jewellery at the markets.

But, Omid is fearful of returning.

“If I go to Iran, I’d probably get locked up if I said the wrong thing.”

Omid relies on wholesalers selling Persian carpets around the Iranian borders to sustain his business.

Why doesn't Omid feel safe to return home?

A vertical loom, silver utensil and folded Persian carpets in background.
Vibrant red, burgundy, green and purple folded Persian carpets, with rolled up red Persian carpet in the background, and a vertical loom. The backdrop is a black woven rug.

“I don’t fly to Iran because I’m a Baháʼí.”

Stories are often woven into Persian carpet design. But, the systematic and ongoing persecution of the Baháʼí people in Iran is a story that is not often told.

There are around 350,000 Baháʼís who live in Iran. They are the largest religon in Iran after Islam, but sadly, they have no citizenship rights.

Baháʼís are deprived of basic human rights. Things like, access to university, employment, property ownership, even access to an identification card. Their shops and businesses are routinely closed down.

 “They don’t accept us."

The Baháʼí faith is based on teachings like truthfulness and equality.

It is a relatively new and progressive religion, established by Baháʼu'lláh in the 19th century.

Baháʼís encompass spiritual principles such as kindness, generosity, integrity, humility, and selfless service to others. 

"Our objective is peace and unity."

Why then, are Baháʼís persecuted in Iran?

"They think we are going to take away the power of Islam."

A shelf with Persian carpets rolled up leaning vertically. Turquoise, navy, burgundy and bright red. Omid Master's arm is reaching for the red and navy Persian carpet.

To tell you the truth, it’s probably one reason why I’m in the rug business, because I feel that disconnect.”

A close up of a geometric patterened Persian carpet. It is burgundy, coral, navy and orange.

Baháʼí people are arrested and imprisoned without charge in Iran. Their assets are confiscated by the government.

Their homes and businesses have been burned.

Baháʼí cemeteries have been destroyed.

But, Omid is still able to reflect on the rich and glorious history of his country of origin.

Persia was an amazing empire, with lots of wealth and happiness”.

 It’s on his “bucket list” to return one day.

I’m probably going to take the risk at some stage”.

But until then, Omid continues to feel a profound sense of connection to his heritage through the symmetry, the mystique and the stories of Persian carpets.

Omid Master is in his showroom rearranging rolled up Persian carpets - some vertically, and some horizontally across a shelf.
Omid Master is in his showroom rearranging rolled up Persian carpets - some vertically, and some horizontally across a shelf.
Omid Master is in his showroom rearranging rolled up Persian carpets - some vertically, and some horizontally across a shelf.
Two Persian carpets side by side, rolled up, and standing vertically. One is lemon, peach and navy coloured. The one on the right has cream tassels and a ruby red trimming.
A large vibrant red rolled up Persian carpet, standing vertically. It is next to a pile of neatly folded, thick, Persian carpets in mostly red hues.
A close up photograph of a Persian carpet displayed on a wall. It has dark green, burnt orange and turmeric coloured patterns.
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Two Persian carpets side by side, rolled up, and standing vertically. One is lemon, peach and navy coloured. The one on the right has cream tassels and a ruby red trimming.
A large vibrant red rolled up Persian carpet, standing vertically. It is next to a pile of neatly folded, thick, Persian carpets in mostly red hues.
A close up photograph of a Persian carpet displayed on a wall. It has dark green, burnt orange and turmeric coloured patterns.